In this quiet photo series, the viewer meets Bunny, a sharp and alert fellow who day-drinks, fills his notebooks to the brim and hears the voice of God. But movie cliches of mental disorders are ...

Jean Pierre Consuegra and Leo Horton muse on the beauty of long timelines, the power of the Instagram DM and why creative partnerships are best when you’ve got different specialisms to bring to the ...

In artist and designer Zander Raymond’s studio, a lot of things are left lying around. Found materials, tools, images, stickers and paper waste all amass into a large pile of daily debris that has ...

A way of confronting the frictionless, highly automated nature of modern life, Dia de Feira (Fair Day), is a series that honours the bustling bodies and clashing senses of the local market.

UK branding studio The Click know that universities don’t compete on logos, but on belonging – that’s why they’ve designed a visual identity that is braver, not louder.

Showcasing the best in class for cutting edge motion design, the festival founded by Studio Dumbar/DEPT® is back for 2027, ...

After a decade shaping the publication’s visual identity, the New York-based photographer turns inward with a five-year photobook exploring family and mortality.

Inspired by 90s edutainment, Final Fantasy, renaissance paintings and editorial illustrators, Louie Zong believes that sitting in the intersection between the past and present is the key to making ...

Instrument’s CCO Nishat Akhtar speaks to the company’s 20 plus years in design and technology, and its history of being one step ahead of the game.

Clare and Charlie Noon shed light on Conqueror Sans, and why their welcoming identity for one of the UK’s oldest historical sites makes a “decisive break from heritage convention”.

The Christophers, a new Ian McKellan-starring film includes 16 ‘fake’ artworks by painter Barnaby Gorton. Our culture columnist Gary Grimes argues that this body of work isn’t so different from the ...

Why inspiration feels harder to come by and how three types of creative ritual could be our strongest defence against the slow erosion of taste, attention, and intention.