TimesMachine is an exclusive benefit for home delivery and digital subscribers. About the Archive This is a digitized version of an article from The Times’s print archive, before the start of online ...

MRS. DALLOW leaned back against the lighted glass of the café, comfortable and beguiled, watching the passers, the opposite shops, the movement of the square in front of them. She talked about London, ...

How can art make us feel strong emotions like grief and horror, and why? This immensely complex question was the starting point for The Tragic Muse, the Smart Museum’s most recent exploration into our ...

If you’ve stood at the corner of Michigan and Adams this summer and looked up at the banners on the face of the Art Institute, you may have met the expectant gaze of Kathleen Kelly Newton, a ...

This is a preview. Log in through your library . Publisher Information JNT: Journal of Narrative Theory continues to follow the high standards set during its first four decades of publication; the ...

How and why does art make us feel the way we do? That was the guiding question behind the Smart Museum of Art’s latest exhibition, “The Tragic Muse: Art and Emotion 1700–1900,” according to the ...

IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more ...

MR. JAMES has achieved a kind of success in his latest novel which goes far to illustrate a great canon of the art of fiction. The mind of his readers may be taken to reflect his mind, and we make the ...

WILLIAM SHAKESPEARE described old age as “second childishness”—sans teeth, sans eyes, sans taste. In the case of taste he may, musically speaking, have been even more perceptive than he realised. A ...