No Way Up (2024) Film Review, a movie directed by Claudio Fäh, written by Andy Mayson, and starring Colm Meaney, Will Attenborough, Jeremias Amoore, Sophie McIntosh, Phyllis Logan, Grace Nettle, James ...
2024 might be the year aquatic horror stans and fans of disaster movies about planes can find some common ground. RLJE Films has a title that already has us asking “Are these sharks on a plane?!” No ...
The retro-disaster movie “No Way Up” won’t be part of your in-flight entertainment any time soon. Nor is it likely to be screened at any scuba-diver conventions, aquariums, or the next Alaska Airlines ...
"What's a shark doing on a plane?!" Good question. Anyone know why? RLJE Films in the US has unveiled another new official trailer the bonkers survival thriller movie called No Way Up, made by a Swiss ...
Add Yahoo as a preferred source to see more of our stories on Google. Put it on my tombstone. Now. I'm not sick or anything, just go ahead and order it today so I can appreciate it while I'm still ...
Sharks on a plane is an indelible concept. When David R. Ellis and Samuel L. Jackson put Snakes on a Plane 18 years ago, the internet response was rabid. Resultantly, New Line Cinema commissioned five ...
Claudio Fäh‘s No Way Up (2024) movie trailer has been released by RLJE FIlms. The No Way Up trailer stars Colm Meaney, Phyllis Logan, Sophie McIntosh, Will Attenborough, Manuel Pacific, Grace Nettle, ...
Add Yahoo as a preferred source to see more of our stories on Google. No Way Up sees a plane crash-land in the ocean and end up teetering on an undersea ravine whilst the few survivors struggle to ...
"We're going to have to find our own way out." Scary! Altitude Films from the UK has revealed the first official trailer for a crazy survival thriller movie called No Way Up, made by a Swiss action ...
Claudio Fäh’s Sharks on a Plane thriller No Way Up has an intriguing premise, but it’s executed haphazardly. Despite the ludicrous thought of sharks being on a plane, the reality of it is far more ...
Movie trailers generally elicit one of two responses: they either make you want to see the film, or they don’t. That’s why they exist, to sell you on something else. But in rare cases, they’re a work ...