Wolfgang Amadeus Mozart is considered by many to be the greatest composer ever. And his 27 piano concertos may be his finest work. But Mozart had a formula for the 27 and he used it over and over ...

Working with a Salzburg orchestra, Anda made his recordings in the 1960s and 1970s, and even in the boyhood works, Concertos Nos. 1-4 (1767), which draw on music by other composers, a Mozartian ...

Mozart wrote three of his finest piano concertos, nos 23, 24 and 25, in a single year. Beauty, passion and grace combine as the piano engages in an intimate dialogue with the orchestra. Watching a ...

Malcolm Bilson’s highly regarded period-instrument recordings of Mozart piano concertos with John Eliot Gardiner in the 1980s and 1990s didn’t include the earliest concertos. Bilson recorded them ...

Throughout the week Classic FM’s presenters bring you the best new recordings, including world exclusives and premiere broadcasts of latest releases. This week: Mozart Piano Concertos Vol. 5 by ...

Mozart's Piano Concerto No. 23 is a typical example of his craft, and of the classical period's best work. Find out exactly why this, one of his latest, is among the best. The piano concertos of ...

Yutong Sun performs with conductor Nicholas McGegan and the Fort Worth Symphony Orchestra in the semifinal round of the Van Cliburn International Piano Competition on Sunday at Bass Performance Hall ...

Performances in N.Y.C. Advertisement Supported by Critic’s Notebook Robert Levin has long argued that Mozart would have made up new material while performing, and he follows the master in a series of ...

Jacques Loussier clangs musical genera together like an orchestral cymbalist reaching crescendo. After having weaved his way through Bach, Chopin, Handel and Satie, maestro Loussier turns his ...

It is a score draw at the moment in the match between traditional and period-instrument recordings of Mozart’s piano concertos. Mitsuko Uchida falls in the former camp and the last in her recent ...

If you like easy-listening Mozart or have an affection for performances that are light or pretty in manner, then Francesco Piemontesi’s new coupling of the Concertos in C, K503, and in D, K537, is not ...